Clients
Blame Society Productions - Camera work, web and graphic design || Habitat for Humanity - Documentary video || University of Wisconsin - Training videos for the Mindfulness Training for Smokers project || Madison Metropolitan School District - Music videos with elementary school students || Wingra School - Documentary video || Second Harvest Foodbank of Southern Wisconsin - Documentary video || The River Foodbank - Documentary video || Southern Illinois University - Vocational rehabilitation training videos || Cooperative Care home health care co-op - Documentary video || Generate Talent Management - Web design || Monkey Business Institute improv group - Web and graphic design || Adventure Yarns international development - Web and graphic design || Inner Passage adventure guides - Web and graphic design || Donor Collaborative of Wisconsin - Web design || Madison Media Institute - Camera work || Free Speech TV Source Code - Interviews and camera work || ... and video production, graphic and web design for many other organizations and individual artists and entrepreneurs
Community
Collaborators
Bigbite is embedded within a group of gifted actors, visual artists, directors, writers and comedians who collaborate frequently. Tona Williams owns Bigbite Productions, and frequently partners on projects with her husband Matt Sloan, the Blame Society Productions comedy team (Sloan and Aaron Yonda), performers from the Monkey Business Institute improv troupe, and other talent both in the Madison, Wisconsin area and across the country.
Tona at Bigbite
I love creating visually. Bigbite Productions is a platform for multimedia work, where I can do what I love. This operation is small and flexible, and I create unique, customized solutions for my clients. If a project needs a larger creative team, I selectively bring in experts from my network of collaborators.
Visual Ethnography
My background as a researcher and teacher helps me as a filmmaker, particularly with documentary projects. My Ph.D. work (Sociology 2006, UW-Madison) focused on ethnography and visual methods. Nowadays, I love to wade into seemingly chaotic environments and, in the field and in the editing room, tease out a coherent narrative to create a compelling artistic piece.